BAYPLAN HARPOON DRYDOCK STRIKER Dynamics FAIRLEAD The fleet Contact

01 DAW In development

BAY
PLAN.

Our own DAW, built from the engine up

A bay plan is how a ship is loaded: bays, rows and tiers on a grid. BAYPLAN loads a song the same way: tracks, sections and clips on one clear arrange page, plus clip sessions, a mixer and every CREWPORT device built in.

BAYPLAN · ArrangeDemo project · 36 bars
BAYPLAN arrange view: coloured tracks for drums, bass, keys and pads, a track group, the master and clips laid out by Intro, Verse, Chorus and Bridge sections
In testing · v0.98

BAYPLAN LIGHTERA DAW inside your DAW

Runs as a plugin in your main DAW or on its own. Sketch fast, then hand the idea back.

  • Arrange and clip sessions, mixer
  • Recording with takes and comping
  • Our own time-stretch engine and vocal pitch editor
  • Drag the sketch out as clips, MIDI or stems
BAYPLAN LIGHTER session view: coloured clips on eight tracks with scenes from Intro to Outro and the master, and below it the clip editor with the notes of a bass clip
In development

BAYPLANThe full DAW

Same engine, made for engineers and producers who can't afford surprises.

  • Sample-accurate timing
  • Nothing lost if something crashes
  • Every CREWPORT instrument and processor inside
  • Multi-outs and sessions that travel between studios
BAYPLAN mixer: eight channel strips with live meters, faders, pan and automation modes, one in Touch, and the master with integrated, short-term and momentary loudness in LUFS and true peak

02 Wavetable synthesizer Test builds

HARPOON

Built for bass and modern electronic sound design: four oscillators with warp modes, sub and noise layers, two filters and a full rack of studio effects, with a library of ready presets.

HARPOON synthesizer playing the RIPTIDE preset: two of its four oscillators with their wavetables, sub, noise and a low-pass filter on top, envelope, LFO, voicing with a held chord and macros below, and a keyboard at the bottom
OscillatorsFour oscillators: wavetable, spectral or sample, with warp modes
LayersSub and noise for weight and air
FiltersTwo filters, dozens of types, serial, parallel or split
ModulationMatrix, 10 drawable LFOs, 4 envelopes, eight macros
FX rackDelays, reverbs, modulation, drive, EQ and more
PresetsOur own library, ready to play

03 Instrument In testing

DRYDOCK

Drum rebuilder

Drop in a hit you like. DRYDOCK works out what it is and rebuilds it as a playable, tweakable synth drum.

  1. Drop a sound. Kick, snare, clap, hat or perc.
  2. It recognises the hit and picks an engine: body, noise or tonal.
  3. Reshape it. Tune, drop, punch, click, sub, drive and width.
DRYDOCK drum rebuilder with a kick loaded: the display shows the kick waveform recognised as Kick Body and ready, engine set to Auto, play set to Synth, and knobs for pitch, shape, layers, colour, stereo and output

04 Drum replacer In testing

STRIKER

Replace or reinforce live drums, from a single close mic to a full loop.

  • Catches every hit, even inside a busy drum loop
  • Up to eight sample layers with velocity and round robin
  • Click a hit on the screen and a slot follows that sound
  • Phase alignment, mix control and MIDI capture you can drag to a track
STRIKER drum replacer at work: a running drum waveform with every detected hit marked, kick, snare and hat layers loaded with live meters, detector and layer controls, and the master output

05 Dynamics In testing

The compressor bay

Four units for the jobs you do on every mix: grab, glue, catch the peaks and make it breathe.

BLU-76 FET compressor with a gain reduction meter, input, output, ratio, attack and release
BLU-76FET compressor
LASHING bus compressor with a gain reduction meter, threshold, ratio, attack, release, sidechain filter, make-up and mix
LASHINGBus compressor
CUTLASS clipper and limiter at work: a loud running signal on the scope with peaks clipped at the ceiling and 7.5 dB of gain reduction, clip plus limit mode, drive, ceiling, body, air, mix and output
CUTLASSClipper + limiter
TIDE rhythmic ducker at work: the incoming kick drawn over a ducking curve shaped like the kick, a running waveform below, audio trigger mode, length, band and mix
TIDERhythmic ducker

06 Multiband compressor In testing

FAIRLEAD

Three bands, upward and downward compression in each. Lift the detail, tame the peaks, and set the whole thing with one amount knob.

FAIRLEAD multiband compressor rack unit: crossover, timing and output controls on top, three band meters and upward and downward compression controls below

Swipe to see the whole unit →

07 Also on board

The rest of the fleet

One device for every job in the session, all in the same family look. Most are already in testing.

VocalSIRENReal-time pitch correction by key and scale.
VocalPARROTPitch and formant shifting, from subtle to robot.
VocalTTE-343De-esser for vocals and bright sources.
DynamicsSTRESSCharacter compressor, from clean to crushed.
DynamicsLANTERNOptical leveler with one amount knob.
DynamicsHATCHGate and expander with modes for drums, voice and keyed ducking.
DynamicsBREAKERTransient shaper: attack, body and saturation.
EQCHARTMixing EQ with dynamic bands and an analyser.
EQSTACK-QFour-band colour EQ.
ToneTOPSAILDynamic exciter that adds air without harshness.
ToneSCRUBBERFinds and calms harsh resonances as they happen.
SaturationNYT-12Tube saturation for warmth and edge.
SaturationKEEL · KEEL STBass saturators: mono, and stereo with separate left and right.
MovementROLLAuto-pan, tremolo and harmonic tremolo. Seven shapes, song-synced, and it can restart on every hit.
FXDRIPA multi-effect sauce for melodies and loops.
InstrumentCARGOMelodic sampler with zones, slicing, stretch and grain.
UtilityTrimmerGain staging with a VU meter.

08 Get in touch

Want to hear more?

Tell us who you are and what you make. Questions, ideas, or a request to try something early: write to us.

hello@crewport.io

Everything on this page is in development or testing. Names and features may change.